Mordecai Marcus: On "Birches"
The discursive blank-verse meditation "Birches" does not, like "The Wood-Pile" and "An Encounter," center on a continuously encountered and revealing nature scene; rather, it builds a mosaic of thoughts from fragments of memory and fantasy. Its vividness and genial, bittersweet speculation help make it one of Frost's most popular poems, and because its shifts of metaphor and tone invite varying interpretation it has also received much critical discussion, not always admiring. The poem moves back and forth between two visual perspectives: birch trees as bent by boys' playful swinging and by ice storms, the thematic interweaving being somewhat puzzling. The birches bent "across the lines of straighter darker trees" subtly introduce the theme of imagination and will opposing darker realities. Then, almost a third of the poem describes how ice storms bend these trees permanently, unlike the action of boys; this scene combines images of beauty and of distortion. Ice shells suggest radiating light and color, and the trees bowed to the level of the bracken, suggest suffering, which is immediately lightened by the strange image of girls leaning their hair toward the sun as if in happy submission.
The fallen "inner dome of heaven" alludes to Shelley's "dome of many colored glass" (also alluded to in "The Trial By Existence") to suggest the shattering of the ideal into everyday reality. Frost's speaker then self-consciously breaks from his realistic but metaphorically fantasied digression to say he would prefer to have some boy bend the birches, which action becomes a symbol for controlled experience, as contrasted with the genial fatality of ice storms. The boy's fancied playfulness substitutes for unavailable companionship, making for a thoughtful communion with nature, which rather than teach him wisdom allows him to learn it. Despite the insistence on the difference between ice storms' permanent damage to birches and a boy's temporary effects, the boy subdues and conquers the trees. His swinging is practice for maintaining life's difficult and precarious balances.
The third part of the poem begins with a more personal and philosophical tone. The speaker claims to have been such a youthful swinger of birches, an activity he can go back to only by dreaming. The birch trees, probably both ice-bent and boy-swung, stand for the order and control missing from ordinary experience. The "considerations" he is weary of are conflicting claims that leave him disoriented and stung. The desire to "get away from earth," importantly qualified by "awhile," shows a yearning for the ideal or perhaps for the imaginative isolation of the birch swinger. His "I'd like to go by climbing a birch tree ... / Toward heaven" suggests leaving earth, but he reveals by his quick apologetic claim that he doesn't mean that. He wants to be dipped down again toward earth, but the pursuit of the ideal by going sounds like death, as his quick apology acknowledges. Frost does less in this poem than in "After Apple-Picking" to suggest a renewed pursuit of the ideal in life rather than a yielding to death. His main pursuit is continual balance between reality and ideality, but as John F. Sears and Radcliffe Squires point out, his vehicle for transcendence and his desire for nature to reinforce human intuition do not quite work.
From The Poems of Robert Frost: an explication. Boston: G.K. Hall and Co., 1991. Copyright © 1991 by Mordecai Marcus.
|Title||Mordecai Marcus: On "Birches"||Type of Content||Criticism|
|Criticism Author||Mordecai Marcus||Criticism Target||Robert Frost|
|Criticism Type||Poet||Originally Posted||19 Jan 2015|
|Publication Status||Excerpted Criticism||Publication||The Poems of Robert Frost: An Explication|
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