Jay R. Berry: On "SOS"

Baraka pays careful attention to rhythm, even in poems that do not employ or experiment with traditional forms. "SOS," the opening poem on Black Art, contains short, terse, telegraphic phrases that are reminiscent of a radio transmission:

Calling black people

Calling all black people, man woman child

Wherever you are, calling you, urgent, come in

Black People, come in, wherever you are, urgent, calling

You, calling all black people

Calling all black people, come in, black people, come

on in.

Content and form blend effectively in this poem. The radio transmission asks blacks to "come / on in." The final line break calls attention to the word change, thereby emphasizing the message. This word change has at least two connotations. On one level, the phrase invites readers into the book of poetry. In this sense it is a fitting opening poem. On another level, it cajoles blacks into claiming their share of the American political, social, and cultural systems on their own terms.

From "Poetic Style in Amiri Baraka’s Black Art," in CLA Journal, December, 1988. Copyright © 1988 by the College Language Association.

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Criticism Overview
Title Jay R. Berry: On "SOS" Type of Content Criticism
Criticism Author Jay R. Berry Criticism Target Amiri Baraka
Criticism Type Poet Originally Posted 06 Apr 2015
Publication Status Excerpted Criticism Publication No Data
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