Deborah Pope: On "Aunt Jennifer's Tigers
The fearful, gloomy woman waiting inside her darkening room for the emotional and meteorological devastation to hit could be Aunt Jennifer, who is similarly passive and terrified, overwhelmed by events that eclipsed her small strength. "Aunt Jennifer's Tigers" is, however, an even clearer statement of conflict in women, specifically between the impulse to freedom and imagination (her tapestry of prancing tigers) and the "massive weight" of gender roles and expectations, signified by "Uncle's wedding band." Although separated through the use of the third person and a different generation, neither Aunt Jennifer in her ignorance nor Rich as a poet recognizes the fundamental implications of the division between imagination and duty, power and passivity.
From A Separate Vision: Isolation in Contemporary Women’s Poetry. Copyright © 1984 by Louisiana State University Press.
|Title||Deborah Pope: On "Aunt Jennifer's Tigers||Type of Content||Criticism|
|Criticism Author||Deborah Pope||Criticism Target||Adrienne Rich|
|Criticism Type||Poet||Originally Posted||19 Oct 2014|
|Publication Status||Excerpted Criticism||Publication||A Separate Vision: Isolation in Contemporary Women’s Poetry|
|Printer Friendly||View||PDF Version||View|
|Contexts||No Data||Tags||imagination, duty, Power, passivity, women, conflict in women, impulse to freedom, gender roles, generation|